Engelsk
oversæt. Eng
20. december 2003 af
SP anonym (Slettet)
Dansk middelmådighed
”Her i landet har vi ikke længere kunstnere i verdensklasse”, hævder ejeren af et internationalt kendt dansk galleri.
Han mener, at velfærdsstaten og specielt Socialdemokratiet er ansvarlige for kunstnernes lave standard i Danmark. Som dansk kunstner kan man næsten ikke undgå at overleve, påstår han. Det er ikke nødvendigt at yde sit bedste for at få til dagen og vejen.
”De gamle danske mestre drog ud i verden for at lære og for at få nye indtryk, men det er ikke på mode mere, og det er heller ikke nødvendigt. Dette er grunden til, at vi ikke har haft en verdensberømt kunstner siden Asger Jorn”, mener galleriejeren.
Han ønsker mere konkurrence blandt kunstnerne, som vi kender det fra USA. Kun på den måde kan et land producere virkelig gode kunstnere, fordi alle må yde deres bedste for ikke at blive overset eller glemt.
Der er også stor forskel på den måde, man præsenterer kunst på her og i USA, mener han. Derovre er gallerierne ofte kun nøgne rum med neonlys. Det er kunstværkerne, der er det vigtigste. Herhjemme er gallerierne blevet hyggelige dagligstuer med tykke tæpper og sofaer.
Danish mediocrity
“In this country we no longer have artists ranking among the best in the world”, the owner of an international well-known Danish gallery claims.
He believes that the Welfare State and especially the Social Democratic Party are responsible for the artists’ low standard in Denmark. As a Danish artist you almost can’t avoid to survive, he claims. It’s not necessary to do your best to scratch a bare living.
“The old Danish masters went out into the world to learn an to get new impressions, but that’s no longer in fashion and it’s not necessary. This is the reason why that we haven’t had a world-famous artist since Asger Jorn,” the gallery owner thinks.
He wants more competition among the artists as we know it from the US. Only like that way a country can produce really good artists because everybody needs to their best not to get overlooked or forgotten.
There is also a big difference in that way you present art here, and in the US, he believes. The galleries over there are often bare rooms with neon lights. It’s the work of arts which are the most important.
In this country the galleries have become comfortable living rooms with thick blankets and couches.
”Her i landet har vi ikke længere kunstnere i verdensklasse”, hævder ejeren af et internationalt kendt dansk galleri.
Han mener, at velfærdsstaten og specielt Socialdemokratiet er ansvarlige for kunstnernes lave standard i Danmark. Som dansk kunstner kan man næsten ikke undgå at overleve, påstår han. Det er ikke nødvendigt at yde sit bedste for at få til dagen og vejen.
”De gamle danske mestre drog ud i verden for at lære og for at få nye indtryk, men det er ikke på mode mere, og det er heller ikke nødvendigt. Dette er grunden til, at vi ikke har haft en verdensberømt kunstner siden Asger Jorn”, mener galleriejeren.
Han ønsker mere konkurrence blandt kunstnerne, som vi kender det fra USA. Kun på den måde kan et land producere virkelig gode kunstnere, fordi alle må yde deres bedste for ikke at blive overset eller glemt.
Der er også stor forskel på den måde, man præsenterer kunst på her og i USA, mener han. Derovre er gallerierne ofte kun nøgne rum med neonlys. Det er kunstværkerne, der er det vigtigste. Herhjemme er gallerierne blevet hyggelige dagligstuer med tykke tæpper og sofaer.
Danish mediocrity
“In this country we no longer have artists ranking among the best in the world”, the owner of an international well-known Danish gallery claims.
He believes that the Welfare State and especially the Social Democratic Party are responsible for the artists’ low standard in Denmark. As a Danish artist you almost can’t avoid to survive, he claims. It’s not necessary to do your best to scratch a bare living.
“The old Danish masters went out into the world to learn an to get new impressions, but that’s no longer in fashion and it’s not necessary. This is the reason why that we haven’t had a world-famous artist since Asger Jorn,” the gallery owner thinks.
He wants more competition among the artists as we know it from the US. Only like that way a country can produce really good artists because everybody needs to their best not to get overlooked or forgotten.
There is also a big difference in that way you present art here, and in the US, he believes. The galleries over there are often bare rooms with neon lights. It’s the work of arts which are the most important.
In this country the galleries have become comfortable living rooms with thick blankets and couches.
Svar #1
21. december 2003 af Fingersen (Slettet)
In this country we no longer have artists ranking among the best in the world", the owner of an internationally known Danish gallery claims,
He believes the Welfare State and especially the Social Democratic Party are responsible for the artists' low standard in Denmark.
As a Danish artist, you almost cannot avoid surviving, he maintains. It is not necessary to do your best to make ends meat.
"The old Danish masters went out in the world to learn and to get new impressions, but it is no longer popular and it is not necessary either. That is why we have not had a world famous artist since Asger Jorn", the gallery owner thinks.
He wants more competition among the artists as we know it in the United States. Only that way a country can produce really good artists due to the fact that everybody must do their in order not to be overlooked or forgotten.
"There is also a big difference in how you present art here and in the United States", he thinks.
The galleries over there are often just bare rooms with neon lights. It's the works of art that are the most important. In this country the galleries have become comfortable living rooms with thick blankets and couches.
He believes the Welfare State and especially the Social Democratic Party are responsible for the artists' low standard in Denmark.
As a Danish artist, you almost cannot avoid surviving, he maintains. It is not necessary to do your best to make ends meat.
"The old Danish masters went out in the world to learn and to get new impressions, but it is no longer popular and it is not necessary either. That is why we have not had a world famous artist since Asger Jorn", the gallery owner thinks.
He wants more competition among the artists as we know it in the United States. Only that way a country can produce really good artists due to the fact that everybody must do their in order not to be overlooked or forgotten.
"There is also a big difference in how you present art here and in the United States", he thinks.
The galleries over there are often just bare rooms with neon lights. It's the works of art that are the most important. In this country the galleries have become comfortable living rooms with thick blankets and couches.
Skriv et svar til: oversæt. Eng
Du skal være logget ind, for at skrive et svar til dette spørgsmål. Klik her for at logge ind.
Har du ikke en bruger på Studieportalen.dk?
Klik her for at oprette en bruger.